Sam Boshnack Quintet’s second album, Nelly Bly Project (Artists Recording Collective) is an illustrative and evocative musical portrait of a hero that Boshnack has admired since a young age. Bly was a 19th-century daredevil feminist and journalist who worked within extreme confines to achieve great things for both the subjects she covered (including mental health and prison facilities), and for women in her field. The album moves between the narrative and abstract, creating an imaginative world that channels Bly’s groundbreaking spirit.
What the press is saying:
“Fresh, smart, and bold describe Samantha Boshnack’s Nellie Bly Project. Inspired by the pioneer female American reporter from the late 1800s, Boshnack weaves significant quotes by the journalist into a shifting musical tapestry. Bly (aka Elizabeth Cochran) defined a true woman as “innocent, unaffected, and frank.” While Boshnack’s sound embodies more life experience than what could be described as innocent, listeners will hear an unaffected and frank approach to writing, improvising, and recording…. Boshnack’s music stretches and sings with refreshing strength.” – Steve Griggs/Earshot Jazz. Read full review.
“While no one would or should argue about the accomplishments of the journalist (Nellie Bly), Ms. Boshnack’s music is also quite impressive. The integration of words and music is well thought-out and the compositions are quite strong…. The power in her (Bly) words and deeds is the fuel for Sam Boshnack; you can hear it in every note of her ‘Nellie Bly Project’, hear it in the impressive melodies, the rhythms, the interactions, and solos of the Quintet.” – Richard Kamins/Step Tempest. Read full review
“Nellie Bly Project represents a step up in ambition from the prior, already-ambitious release by the Sam Boshnack Quintet, because Bly was a complex figure, so any accurate depiction would likewise portray complexity.That’s probably fine and good with Boshnack, who is already prone to stretch as both a composer and artist. The Quintet’s performances don’t necessarily follow conventional song structures: they flow more like an act in a play and this four act play seeks to tell the story of Bly through the moods projected in the veering harmony, rhythmic intricacy and occasional presentations of Bly’s writings whether by singing it or reciting it at critical junctures within each song.….. Sam Boshnack is an example of a growing number of women leading a resurgence of creativity in jazz.” – S. Victor Aaron/Something Else Reviews. Read full review.
“Not quite free jazz, you can hear the echoes of struggle in the music and the vibe tilts toward prevailing. A very solid listening date, this trumpeter delivers the art without being artsy. Sitting down jazz fans have something solid to sink their teeth into here.” – Chris Spector/Midwest Record. Read full review.
“Boshnack, both within ensemble playing, and skillful soloing, offers her best playing to date on trumpet, supported strongly by Castillo, Chadsey and Wood. Fleenor, a musical constant in Boshnack’s work in Seattle, plays with unconventional prowess, drawing musical, poetic, and social parallels with the composing artist. The social narrative to achieve gender equity, is still a story being told loudly, and clearly. The struggle continues, with the courageous activism of Nellie Bly still serving as a beacon of inspiration and persistence to modern “daredevil” artists such as Boshnack. Her ability to create a narrative musically, and truly educate and inspire the listener is rare, and important. It’s part of what makes music a language that unites cultures, and empowers justice. – Paul Rauch/All About Jazz. Read full review.
Samantha Boshnack trumpet & vocal
Beth Fleenor clarinet & bass clarinet
Alex Chadsey piano & keyboards
Isaac Castillo upright & electric bass
Max Wood drums
Valerie Holt and Anne Mathews vocals (tracks 1 & 3)
Anne Whitfield spoken vocals (tracks 2 & 4)
Recorded by Floyd Reitsma at Studio Litho, Seattle, WA
Mixed by Evan Schiller at zulusound, Seattle, WA
Mastered by Ed Brooks at Resonant Mastering, Seattle, WA
Album artwork by Steven Arntson
Album design by Anne Mathews
Release Date – August 18, 2017